There is no backdrop in a Makyung performance. Very often, the same backdrop will symbolise a general setting of the entire play. There are no set changes from the beginning till the end of the performance. This reflects the symbolic / anti-realism nature of the play.

Raja Besar Senyanya

Taman Budaya Negeri Kedah


Tanjung Pura Sabtu, Kuala Terengganu

Taman Budaya Negeri Kedah

Dewan Budaya, USM, Penang